Barclaycard: 50 years of plastic money – the story from the Archives

Archives Hub feature for June 2016

29th June 2016 sees the 50th anniversary of the official launch of Barclaycard, the first all-purpose credit card in Europe.

Origins and Idea

The idea of Barclaycard is credited to general manager Derek Wilde, later a vice-chairman of Barclays, and James Dale, who became Barclaycard’s first departmental manager. Their idea was backed by Barclays’ chairman John Thomson, who recognised the need to ‘beat the others to it’. The immediate inspiration came from a visit to the United States in 1965 by Wilde, Dale and computer expert Alan Duncan, specifically to look at Bank of America’s BankAmericard.

Photo of James “Dickie” Dale
James “Dickie” Dale

Barclays had, since the mid-1950s, begun to innovate and modernise in areas such as technology and advertising, for example ordering the first computer for branch accounting in 1959, and experimenting with cinema advertising. In 1967 Barclays would pioneer the world’s first external wall-mounted cash machines.

The card scheme was approved by the board without any market research or pilot, or adequate in-house computer system, and in the face of not inconsiderable internal and external suspicion, even hostility. It was recognised that profitability would be long-term, since the set-up costs were so high and credit controls strict.

Although the idea of a plastic card for making general purchases was novel in Britain, consumer credit had already secured a place in people’s lives. Working people had long bought essentials ‘on tick’ from their corner shop, and after World War Two the idea of hire purchase was developed into big business, becoming an integral part of the ‘affluent society’.

The most successful outlets in the early period, despite a very low profit margin, were petrol stations, whose proprietors envisaged improved security in reducing the use of cash, while Barclays saw advantage in roadside advertising.

Photo of early advertising at a garage
Early advertising at a garage

Launch

‘The Barclaycard is the largest operation the Bank has ever mounted’, declared Barclays’ staff magazine.

On 10th January 1966 the scheme was announced to the public. The press release shows that Barclays carefully eschewed advertising it as a source of unsecured borrowing. Instead, Barclaycard was described as,

‘a logical extension of the existing commercial bank facilities provided by the Barclays Group. Its purpose is to reduce the use of cash in shopping and other transactions and the scheme is designed to appeal not only to those who must travel and spend a good deal of money in restaurants, but also to the everyday shopper throughout the country. For retail and service establishments it will provide a means of reducing or eliminating the book-keeping now needed to maintain customers’ credit accounts.’

Indeed, Thomson saw Barclaycard as, ‘…more of a development of existing retail banking than an innovation…’ As with automated accounting and cash machines, Barclaycard held a promise for the bank of reducing its labour costs, which, with the advent of relatively full employment and strong trade unions, were rising steadily.

Photo of Barclaycard Centre, Northampton
Barclaycard Centre, Northampton

Barclays set itself the daunting task of recruiting 1 million cardholders and 30,000 outlets by the launch date. A derelict footwear factory in Northampton was converted as the operations centre, while £500,000 was spent on advertising and over 23 million forms were sent to prospective customers. Barclays adapted the computer programme used by BankAmericard. Distribution of the 1m cards involved extra Post Office and railway facilities.

Signing up merchant outlets was achieved by an organisational innovation. Dale recruited salesmen, largely selected from the Barclays staff on recommendation by inspection teams and branch managers, who were trained to call personally on prospective merchants. The idea of undertaking ‘selling’ was still anathema to the traditional British banker, but these recruits were often glad to break free of the confines of branch banking and enter the modern world of marketing. External training was also used by Barclays for the first time. In the words of one of the early salesmen,

‘It was all direct selling and it was cold selling in many ways.  It was in actual fact, just walking along the streets and just looking at shops and saying, yes, the average sale in that shop is a certain amount, that’s a good average sale.’

Acceptance – the triumph of plastic

Most of the 1.25m unsolicited cards sent to potential users in 1966 were accepted, but some were either returned, destroyed or not used: in 2015 Group Archives was pleased to receive the timely donation from a customer, of her late father’s unused card, surviving in pristine condition from 1966!

Barclaycard steadily secured a place in retail culture. Its first operating profit was recorded in 1972, by which time there were 1.7m cardholders and 52,000 merchants. As another salesman recalled of this period:

‘Well, I would just go and say, have you ever thought of taking Barclaycard?   It was such a strong product then that they either said yes or no.  And if they said yes, you’d sign them up and if no, you’d go into the next shop.  It was so easy to do then.’

The move towards a plastic credit society was cautious in the early years. When in November 1967 (following relaxation of the government’s credit squeeze), Barclaycard granted extended or revolving credit to holders, this was done on the understanding (with the Bank of England), that the card could not be used to acquire credit for more than 3 months, and that advertising would be suspended pro tem. This, it was recognised by Barclays at the time, was the only way that the card would ever make a profit. In effect card holders had a personal overdraft facility.

Confirmation that credit cards were here to stay came in 1972 with the launch of Barclaycard’s first major rival – Access – by Lloyds, NatWest and Midland.

Advertising

As in other areas, Barclaycard’s marketing was at the forefront of innovation for Barclays and British banking as a whole.

From the start, use was made of modern techniques, including direct mailings and colour magazine adverts. The initial recruitment of holders in 1966 was helped by a mass campaign, including the first direct mail shot by a British bank and a complete list of all the merchant outlets, believed to be one of the largest newspapers adverts ever published. High street campaigns were another radical departure for a Bank:

Image of Barclaycard 1972 promotions
Barclaycard 1972 promotions.

‘….we would go to a town and set this promotion up with all the retailers.  So we picked somewhere big like Brighton or Manchester or Liverpool and you always needed one or two big department stores as a sort of corner-stone, and we persuaded all these stores and shops to display Barclaycard material.’ Barclaycard ‘girls’, hired from an agency and dressed in a uniform to attract attention, would stop people on the street.

Image of Flyer for Travelling Light, 1968
Flyer for Travelling Light, 1968

In 1968 an award-winning cinema film, Travelling Light, featured a young shopper with a card tucked into her bikini:

‘ One of my jobs was to make sure that the Barclaycard always showed correctly and so on, so I had the job of positioning it in her briefs to make sure it was all positioned  correctly…. It had a very good message, because I think the message at the end was that all you need to go shopping is a Barclaycard.’

Later developments

Although space doesn’t permit an account of Barclaycard’s subsequent history here, it’s worth noting some of the landmarks, several of which have derived from advances in computer and mobile phone technology:

  • 1972: first television advert (first for Barclays, too)
  • 1973: 2 million card holders
  • 1977: Barclaycard a founder of the VISA network
  • 1977: Company Barclaycard
  • 1982: first in series of Alan Whicker TV adverts
  • 1985: 8 million card holders
  • 1986: PDQ machines, the first electronic card payment terminals in the UK, introduced to replace manual imprinters
  • 1988: Student Barclaycard
  • 1990: first in series of Rowan Atkinson TV adverts
  • 1990s: expansion into Europe
  • 1995: Barclaycard Netlink, the UK’s first bank-related commercial internet service, which soon enabled card holders to pay their bills online
  • 1997: introduction of microchips on cards to improve security
  • 2001: initial sponsorship of FA Premiership
  • 2002: 11 million cards
  • 2004: acquisition of Juniper, enabling Barclaycard to expand in USA
  • 2007: ‘contactless’ cards, first in the UK
  • 2012: PayTag, enabling customers to pay using their mobile phone by sticking a Barclaycard PayTag to the back of their handset
  • 2014: 30 million cards
Photo of Alan Whicker.
Alan Whicker was the face of Barclaycard in the 1980s.

Records and research

‘Plastic money’, a phrase detected in a Barclays report from as early as 1967, has attracted attention from academic researchers in recent years, Barclaycard being cited as an example of technical and financial innovation, marketing success and market leadership.

Most of the documentation of Barclaycard is to be found with the Bank’s main record series. By establishing contacts with the marketing teams, a good representative selection of advertising material has also been captured, and this has been supplemented by donations from former staff members.

Research by Archives staff has established a good framework for the factual history of Barclaycard. For the story of the early years, Group Archives is able to supplement the written record by means of oral history interviews, a few excerpts from which have been quoted above.

In just over a decade from conception in 1965, Barclays successfully embedded the credit card in the retail economy of Britain, an essential payment medium that is taken for granted today.

Nicholas Webb
Archivist
Barclays Group Archives

Related:

Browse the Barclays Group Archives Collections on the Archives Hub

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All images copyright the Barclays Group and reproduced with the kind permission of the copyright holder.

Federation of Worker Writers and Community Publishers Collection at the TUC Library (London Metropolitan University)

Archives Hub feature for May 2016

Photo of books
Books from the TUC Library’s collection of publications from the Federation of Worker Writers and Community Publishers.

The Federation of Worker Writers and Community Publishers (FWWCP) was a network of community-based writing groups that stretched across the UK and, to a much lesser extent, Europe and the USA. Voluntary, community-run groups met to allow working class people to share and discuss their creative writing and facilitate community self-publication.  It was the most significant working class writing/publication project of the 20th century, distributing over a million books between 1976-2007. It thrived during a period of significant social, economic and political change in the UK especially through the 1970s and 1980s, and represented a significant counter-cultural movement.

Many of the groups emerged out of local politics and campaigning, some such as Hackney’s Centerprise were a model of community cohesion, providing a bookshop, publisher, crèche, cafe and legal advice. Others still exist such as Brighton’s QueenSpark, Books, the UK’s longest running community publisher that started out of a grassroots campaign to establish a nursery school instead of a casino.

Photo of books
Books from the TUC Library’s collection of publications from the Federation of Worker Writers and Community Publishers.

Through the medium of poetry, prose, fiction, biography, autobiography and local history, they document the changing experience of working class people over the course of the second half of the twentieth century, and much like oral history, they contain testimony about cultural history and working lives. They also reveal an emerging identity politics focused on issues of local community, immigration, race/ethnicity, gender, mental health and sexuality, with groups setting up to discuss, publish and represent those identities.

Some of the groups were involved in the establishment of community bookshops, Bookplace, Newham Books, and Tower Hamlets Arts Project (known as THAP and Eastside Books). They were important in providing an outlet for FWWCP publications and frequently provided a meeting space for writers and adult literacy groups.

Photo of books

Books from the TUC Library’s collection of publications from the Federation of Worker Writers and Community Publishers.

The TUC Library started its collection of publications from the Federation of Worker Writers and Community Publishers in August 2014 with a major deposit from Nick Pollard, a lecturer at Sheffield Hallam University who had a long-running involvement in the Federation. This has been followed by a number of other smaller deposits over the last 18 months, from former writers, members and enthusiasts.

From London alone there are at least 11 groups represented, including: Black Ink, Peckham People’s History, Stepney Books, Basement Writers, Working Press, Tower Hamlets Arts Project, Hammersmith & Fulham Community, Newham Writers Workshop, London Voices, Age Exchange, Southwark Mind and Survivors. All published biographies, autobiographies, fiction, prose and poetry.

There are also audio recordings of meetings, performances and festivals, and some video footage of these events. The Collection contains publications from over 100 groups that were part of the Federation.

Photo of prose and poetry books
Groups were prolific in publishing prose and poetry.

Some of the FWWCP legacy still exists in the form of The FED, a much smaller network that follows many of the FWWCP principles but uses an online presence to keep members in touch. The FED includes writing workshops and groups across the country, mostly centered in London, and like its predecessor, continues to celebrate diversity. It is holding its annual writing festival on the 4th June 2016.

Photo of book collection
Although generally about working class experience, some groups were focused on gender, LGBT, BAME and mental health, and there is much testimony contained in this collection.

The TUC Library is working closely with the University in making the most of the FWWCP Collection, and we’ve provided inductions for students from social sciences and humanities generally, we’ve also provided workshops for those from creative writing students to theatre and performance students. Students from Syracuse University taking a Civic Writing course, helped create an index to the collection. The group taught by Jess Pauszek, through Syracuse’s London Campus, at Faraday House, spent three weeks in summer 2015 and will continue work in 2016.

Having carried out a series of consultative meetings with former members London Metropolitan University and the TUC Library will be applying for funds to carry out an oral history and digitisation project.

You can see an index of the collection that’s been sorted so far Federation of Worker Writers and Community Publishers

Jeff Howarth, TUC Librarian at London Metropolitan University

Related:

Browse the London Metropolitan University’s Trades Union Congress Library Collections on the Archives Hub.

All images copyright London Metropolitan University and reproduced with the kind permission of the copyright holder.